tag:blogger.com,1999:blog-66340186668998294262024-03-08T06:25:54.721-08:00My Forehead is Bleedingobsessing about scriptwritingMr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.comBlogger15125tag:blogger.com,1999:blog-6634018666899829426.post-7385327061084647432007-03-07T11:14:00.001-08:002011-03-26T11:15:00.329-07:00WHAT MAKES A GOOD RITES OF PASSAGE?<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"><b><span lang="EN-GB">TRANSITION</span></b><span lang="EN-GB"> – a character who is on the threshold of a new life but not yet able to let go of the previous stage of their life.<span> </span>Eg adolescence to adulthood (Y Tu Mamma).<span> </span>Moments where a character is facing a different kind of adulthood – eg. The Good Girl is about giving up freedom, and About Shmidt is about to retire from his job, and Stand By Me is about a girl who is going to high school.<span> </span>All of the main characters here are facing a new bit of life and are reluctant to leave their old bit of life.</span></span><br />
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<b><span lang="EN-GB">CHARACTERS</span></b><span lang="EN-GB">.<span> </span>Rites of Passage characters have to face change that is inevitable – often it’s ‘time’ or ‘age’ bringing a new situation into your life that you aren’t ready yet to live.<span> </span>The characters ATTITUDE has to change.<span></span>They have to learn what it is they want.<span> </span>They might not achieve moving on or have to accept they can’t have what they used to have.<span> </span>These characters are often taken away in order to learn what it is that they need to learn.<span></span>There is often a section in a ROP they term ‘creating a space to learn’ – eg Y Tu Mamma – they go to the beach, About Shmidt – goes to Denver.<span></span></span><br />
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<span lang="EN-GB">Rites of Passage characters are ‘incomplete,’ and active – they want to do things and are restless, searching.<span></span>They are stuck at a moment in their lives but aren’t conscious and search around for something to do. They find somewhere to go, which is an actual journey.<span> </span>ROP characters make active choices but do something completely different.<span> </span>They usually do a form of ‘distraction’ which in some way connects. They are trying to hold on to something. They are heading towards a moment of understanding.<span></span></span><br />
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<span lang="EN-GB">They don’t know what’s wrong – so they don’t know how to tell anyone what’s wrong.</span><br />
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<b><span lang="EN-GB">HIGH STAKES</span></b><br />
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<span lang="EN-GB">The stakes matter to the audience more than the character.<span> </span>We can see what’s really wrong.<span> </span>We care about them because we recognise something about them. We have to care.<span> </span>Not a surprise ending – we have to see where this character needs to get to.</span><br />
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<b><span lang="EN-GB">JOURNEYS</span></b><br />
<span lang="EN-GB">Often take characters away from normal life – that is away from their usual reality (eg in The Good Girl she has an affair).</span><br />
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<b><span lang="EN-GB">DEATH</span></b><br />
<span lang="EN-GB">Often literal sometimes metaphorical.<span> </span>ROP is as much about <u>letting go</u> as it is about <u>moving on</u>.</span><br />
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<b><span lang="EN-GB">CATALYST</span></b><span lang="EN-GB"> – death is a way of allowing themselves to face up to what they need to face up to.<span> </span>Stand By Me – finding the body he needs to accept his brother is dead and that’s the way he is going to live – he is then able to stand upto Keifer Sutherland character.<span> </span>About Shmidt – finally he has to accept his daughter is going to marry and the death of his idea of what his daughter was.<span> </span>He has to face the fact that his relationship as it was, is dead.<span> </span>This is what allows him to face up to his wife’s death.<span></span></span><br />
<span lang="EN-GB">Death is often what most of us are trying to come to terms with and another (sort of) death is often a way they come to terms with it.</span><br />
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<b><span lang="EN-GB">VOICEOVER</span></b><br />
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<span lang="EN-GB">ROP often need a voiceover when they don’t have a confidant. Eg. About Shmidt letters.</span>Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com3tag:blogger.com,1999:blog-6634018666899829426.post-54419011855026577122007-03-07T11:14:00.000-08:002011-03-26T11:14:33.847-07:00Drama and Rites of Passage 'Shapes"<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;">At the one-day genre course at The Scriptfactory Kate Leys talked about how there are no tick boxes or formula etc to write in either of these dramas. However she suggests what can be useful, is to look at what 'shape' these genres take.<br />
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<div style="font-weight: bold;"><span lang="EN-GB">DRAMA SHAPE</span></div><span lang="EN-GB">Is characterised by …</span><br />
<span lang="EN-GB"><span style="font-weight: bold;"></span>A <span style="font-weight: bold;">group of people</span> facing a crucial pivotal moment in their life. Change needs to happen, could happen, might happen.</span><br />
<span lang="EN-GB"><span style="font-weight: bold;">Multiple protagonists</span> (which spreads the goal across the range).<span> </span>Varied goals, several different people will have varying goals eg Little Miss Sunshine.</span><br />
<span lang="EN-GB"><span style="font-weight: bold;">Conflict</span>.<span> </span>Comes from part of the situation, not a bad guy.<span> </span>Comes from whatever it is that happened or is happening.<span> </span></span><span lang="EN-GB"><span style="font-weight: bold;">Change</span>.<span> </span>Some of the characters change and some don’t.<span> </span>There are a range of possible reactions. We can see that they've changed (or not).</span><br />
<span lang="EN-GB"><span style="font-weight: bold;">Goal</span>. People don’t usually begin with a goal – the goal comes along. The goals<span></span> are met across a range.<span> </span>(often leaving an awful lot of room for what is going to happen after the credits).</span><br />
<span lang="EN-GB">‘<span style="font-weight: bold;">Acceptance</span>’ is often the ending. Resolution is often left with <span style="font-weight: bold;">us</span>.<span> </span>Eg. Little Miss Sunshine we can see how far they have come even if they can’t.</span><br />
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<span style="font-weight: bold;">RITES OF PASSAGE SHAPE</span></span><br />
<span lang="EN-GB">Will generally have a <span style="font-weight: bold;">single protagonist</span>.</span><br />
<span lang="EN-GB"><span style="font-weight: bold;">Goal</span> – The goal is with us (we have a goal for the characters). They will typically have a goal but it will be nothing to do with what they really need ( their goal is usually a displacement activity, and this activity is usually related to the theme in some way).<span> </span>We can see the character needs something but they can’t.</span><br />
<span lang="EN-GB"><span style="font-weight: bold;">Conflict</span>.<span> Is</span> internal, generated by themselves.</span><br />
<span lang="EN-GB"><span style="font-weight: bold;">Change</span>. Will change by going through some kind of rites of passage. They <span style="font-weight: bold;">reach a new part of their lives and let go of an old part.</span></span><br />
<span lang="EN-GB"><span style="font-weight: bold;">Resolution</span>.<span> </span>We see they’ve achieved their goal. Doesn't have to be a good end - somebody has gone through a rites of passage and now feel <span style="font-weight: bold;">whole</span>. They often know they have changed.</span><br />
<span lang="EN-GB">Rites of Passage – are usually <span style="font-weight: bold;">set in the past</span>, as the characters do not understand their situations and selves immediately.<span> </span>So for eg Stand By Me is a memory, About Shmitd told in letters.<span></span></span><br />
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* DISCLAIMER. I'm not the world's best note taker, but I wanted to make these notes available to folk who couldn't make the class or couldn't afford it etc, in the hope someone may find them useful. So if I've got anything wrong, TUFF.Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0tag:blogger.com,1999:blog-6634018666899829426.post-51673031131773075442007-03-07T11:13:00.001-08:002011-03-26T11:13:52.671-07:00“Story”(general notes) <br />
Stories have to be…<br />
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Organized (structured)<br />
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Usually into a continuous narrative and they have an ending<br />
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About CHANGE – the impact of one thing on another.<br />
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Need characters for us to follow.<br />
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The journey a character takes is how we follow the story<br />
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Kate argues that there aren’t “7”, or “8” or “13” stories, but ONE. And that is “A stranger comes to town.” <br />
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You may need to kill this stranger, absorb it, deal with it, etc.<br />
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The stranger brings conflict, change, that the character will have to deal with in some way, usually by achieving some kind of maturity. Or the character deals with it by using skills they already have (but didn’t realise).Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0tag:blogger.com,1999:blog-6634018666899829426.post-90573767859721209422007-03-07T11:13:00.000-08:002011-03-26T11:13:24.353-07:00Drama and Rites of Passage examples<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;">Starting to type my notes from the scriptfactory...<br />
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<div style="font-weight: bold;"><span lang="EN-GB">DRAMAS</span></div><span lang="EN-GB">The Godfather</span><br />
<span lang="EN-GB">Little Miss Sunshine</span><br />
<span lang="EN-GB">The Ice Storm</span><br />
<span lang="EN-GB">Little Children</span><br />
<span lang="EN-GB">All About Eve</span><br />
<span lang="EN-GB">One Flew Over the Cuckoos Nest</span><br />
<span lang="EN-GB">Magnolia</span><br />
<span lang="EN-GB">American Beauty</span><br />
<span lang="EN-GB">The Queen</span><br />
<span lang="EN-GB">It’s a Wonderful Life</span><br />
<span lang="EN-GB">Breakfast Club</span><br />
<span lang="EN-GB">American Grafitti</span><br />
<span lang="EN-GB">Big Chill</span><br />
<span lang="EN-GB">Notes on a Scandal</span><br />
<span lang="EN-GB">21 Grams</span><br />
<span lang="EN-GB">In the Bedroom</span><br />
<span lang="EN-GB">12 Angry Young Men</span><br />
<span lang="EN-GB">Babel</span><br />
<span lang="EN-GB">You Me and Everyone We Know</span><br />
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<div style="font-weight: bold;"><span lang="EN-GB">RITES OF PASSAGE</span></div><span lang="EN-GB"><br />
Stand by Me</span><br />
<span lang="EN-GB">Tu Mamma Tambien</span><br />
<span lang="EN-GB">My Summer of Love</span><br />
<span lang="EN-GB">About Shmitt</span><br />
<span lang="EN-GB">The Good Girl</span><br />
<span lang="EN-GB">(The Virgin Suicides)</span>Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0tag:blogger.com,1999:blog-6634018666899829426.post-44125007770228834432007-03-06T11:12:00.000-08:002011-03-26T11:12:58.183-07:00British Films<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"></span><br />
<span lang="EN-GB">According to some survey (think somewhere on UKFC site) we, as British audiences</span><br />
<span lang="EN-GB"><span style="font-weight: bold;">LIKE</span></span><br />
<span lang="EN-GB">New talent</span><br />
<span lang="EN-GB">Authenticity/believability</span><br />
<span lang="EN-GB">Humour</span><br />
<span lang="EN-GB">Intelligent/amoral</span><br />
<span lang="EN-GB">Unsentimental</span><br />
<span lang="EN-GB">Clever</span><br />
<span lang="EN-GB">‘our voice’</span><br />
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<div style="font-weight: bold;"><span lang="EN-GB">DISLIKE</span></div><span lang="EN-GB">Up North drama</span><br />
<span lang="EN-GB">Working class reality</span><br />
<span lang="EN-GB">Depressing/grim</span><br />
<span lang="EN-GB">“samey”</span><br />
<span lang="EN-GB">Predictable</span><br />
<span lang="EN-GB">Mundane</span><br />
<span lang="EN-GB">Films that look too much like TV</span>Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0tag:blogger.com,1999:blog-6634018666899829426.post-28392879444814898822007-03-05T11:11:00.002-08:002011-03-26T11:12:13.144-07:00NewWriting NeWorlds festival – call for submissions<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"><b><span style="color: navy; font-family: Georgia; font-size: 13px;"><span style="color: navy; font-family: Georgia; font-size: 12pt; font-weight: bold; line-height: 22px;">T</span></span></b><span style="font-family: Georgia; font-size: 13px;"><span style="font-family: Georgia; font-size: 12pt; line-height: 22px;">he NewWriting NewWorlds Festival in Glasgow is currently accepting script submissions for this year's new writing festival at Gilmorehill G12 in June, which will be part of the Glasgow West End Festival.</span></span></span><br />
<div style="line-height: 18px;"><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; line-height: 22px;">Plays selected will receive development with the festival dramaturgical team and a full production at the NewWriting NewWorlds Festival, said the organizers.</span></span></div><div style="line-height: 18px;"><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; line-height: 22px;">Performances should be less than 30minutes in length, require no more than six performers and have minimal set and staging.</span></span></div><div style="line-height: 18px;"><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; line-height: 22px;">All submissions should have a cover letter with the title, author's name and contacts. Post three copies with a cover letter by March 15<sup>th</sup> 2007 to: Suzi Simpson, Artistic Director, New Writing, NewWorlds 2007 Flat 0/1, 25 Belmont Street, Glasgow, G12 8ER or email</span></span><span style="font-family: Georgia;"><span style="font-family: Georgia;"><a href="mailto:mailto:newwriting_newworlds@yahoo.co.uk" style="color: #2244bb;" target="_blank" title="mailto:mailto:newwriting_newworlds@yahoo.co.uk"><span style="color: black;" title="mailto:mailto:newwriting_newworlds@yahoo.co.uk"><span title="mailto:mailto:newwriting_newworlds@yahoo.co.uk"><span style="color: black;">mailto:newwriting_newworlds<wbr></wbr>@yahoo.co.uk</span></span></span></a></span></span></div>Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0tag:blogger.com,1999:blog-6634018666899829426.post-62478489697709580912007-03-05T11:11:00.001-08:002011-03-26T11:11:51.919-07:00Brand Literary Magazine- Call for submissions<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"><span style="font-family: Georgia; font-size: 13px;"><span style="font-family: Georgia; font-size: 12pt;">Brand is a new literary magazine edited by Guild Member Nina Rapi and published by the Creative Writing Programme, University of Greenwich. Poetry editor is Cherry Smyth. Contributing editors include Ali Smith, Yang Lian, Shaun Levin, Caroline Smith, Amarjit Chandan, Ersi Sotiropoulou, Alev Adil, Nina Steiger. Brand is bi-annual and the first issue comes out in June 2007.</span></span></span><br />
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<span style="font-family: Georgia; font-size: 13px;"><span style="font-family: Georgia; font-size: 12pt;">Brand is looking for writing that takes risks formally and/or thematically; has a strong voice/is engaged and challenging; is culturally diverse. We welcome international work and translations. We are focusing on the short form and are looking for high quality writing in any of the following: short stories (max. 2.500 words); short plays or performance texts (max. 10 minutes); micro-fiction (up to five pieces and/or a total of 500 words); poetry (you can submit up to three poems and max of 40 lines each); creative non-fiction (e.g. memoir and literary essays, max. 2000 words).</span></span><br />
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<span style="font-family: Georgia; font-size: 13px;"><span style="font-family: Georgia; font-size: 12pt;">Please submit work (2 copies) to: Managing Editor Michael Langan, Creative Writing Programme, EPS, School of Humanities, King William Building, University of Greenwich, Old Naval College, Park Row, Greenwich, London SE10 9LS. Please email <span style="color: black;"><span style="color: black;"><a href="mailto:m.langan@gre.ac.uk" style="color: #2244bb;" target="_blank" title="mailto:m.langan@gre.ac.uk">m.langan@gre.ac.uk</a>for further information .</span></span>The deadline is: 19<sup>TH</sup> of March 2007.</span></span>Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0tag:blogger.com,1999:blog-6634018666899829426.post-91897203177949192242007-03-05T11:11:00.000-08:002011-03-26T11:11:29.826-07:00In Conversation with John Finch - (North Yorkshire)<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif;"><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt;">Writers Guild and Script Yorkshire member John Finch didn't just write TV drama - he was one of just a handful of pioneering TV writers who defined the genre. Part of the original Coronation Street writing team; author of Family at War and Sam, John Finch's towering achievements in the medium of television drama have never been exceeded. Now he will be sharing some of his insights with us at the Victoria Theatre in the lovely Dales town of Settle.</span></span></span><br />
<div style="font-size: 13px; line-height: 14.4pt;"><b><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-weight: bold;"></span></span></b></div><div style="font-size: 13px; line-height: 14.4pt;"><strong><b><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-weight: normal;">Date: 17th March</span></span></b></strong><span style="color: black; font-family: Georgia;"><span style="color: black; font-family: Georgia;"></span></span></div><div style="font-size: 13px; line-height: 14.4pt;"><strong><b><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-weight: normal;"><br />
</span></span></b></strong></div><div style="font-size: 13px; line-height: 14.4pt;"><strong><b><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-weight: normal;">Time: 3pm - 5pm</span></span></b></strong><span style="color: black; font-family: Georgia;"><span style="color: black; font-family: Georgia;"></span></span></div><div style="font-size: 13px; line-height: 14.4pt;"><strong><b><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-weight: normal;"><br />
</span></span></b></strong></div><div style="font-size: 13px; line-height: 14.4pt;"><strong><b><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-weight: normal;">Venue: Castleberg Room, Victoria Theatre, Settle. </span></span></b></strong></div><div style="line-height: 14.4pt;"><strong><b><span style="color: black; font-family: Georgia;"><span style="color: black; font-family: Georgia; font-weight: normal;"></span></span></b></strong><span style="color: black; font-family: Georgia;"><span style="color: black; font-family: Georgia;"><br />
<strong style="font-size: 13px;"><b><span style="font-family: Georgia;"><span style="font-family: Georgia; font-weight: normal;">Cost: Script Yorkshire and WGGB members £8. Non-members £12 (includes light refreshments from 2.45pm) Places are limited so booking is essential. </span></span></b></strong></span></span><br />
<strong style="font-size: 13px;"><b><span style="color: black; font-family: Georgia;"><span style="color: black; font-family: Georgia; font-weight: normal;">To book</span></span></b></strong><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-size: 13px;"> </span></span><strong style="font-size: 13px;"><b><span style="color: black; font-family: Georgia;"><span style="color: black; font-family: Georgia; font-weight: normal;">contact Caroline Small: </span></span></b></strong><a href="http://uk.f325.mail.yahoo.com/ym/Compose?To=members@scriptyorkshire,co.uk" style="color: #2244bb; font-size: 13px;" target="_blank" title="http://uk.f325.mail.yahoo.com/ym/Compose?To=members@scriptyorkshire,co.uk"><strong><b><span style="color: #003399; font-family: Georgia;" title="http://uk.f325.mail.yahoo.com/ym/Compose?To=members@scriptyorkshire,co.uk"><span title="http://uk.f325.mail.yahoo.com/ym/Compose?To=members@scriptyorkshire,co.uk"><span style="color: #003399; font-family: Georgia; font-weight: normal; text-decoration: none;">members@scriptyorkshire,co.uk</span></span></span></b></strong></a></div><h5 style="font-size: 13px; line-height: 14.4pt; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"><b><i><span style="color: black; font-family: Georgia; font-size: 11px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-style: normal; font-weight: normal;">For further information about John Finch's work please log on to: </span></span></i></b><span style="color: blue; font-family: Georgia; font-size: 11px;"><span style="color: blue; font-family: Georgia; font-size: 12pt; font-style: normal; font-weight: normal;"><a href="http://www.johnfinch.com/" style="color: #2244bb;" target="_blank" title="http://www.johnfinch.com/">www.johnfinch.com</a></span></span></h5><div><span style="color: blue; font-family: Georgia; font-size: 11px;"><br />
</span></div>Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0tag:blogger.com,1999:blog-6634018666899829426.post-39010031843472424192007-03-05T11:10:00.002-08:002011-03-26T11:11:00.739-07:00Script Yorkshire workshops<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"></span><br />
<div style="line-height: 14.4pt;"><strong><b><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt;">Gwyneth Hughes: The Writing of 'Five Days' – (Leeds)</span></span></b></strong><b><span style="color: black; font-family: Georgia;"><span style="color: black; font-family: Georgia; font-weight: bold;"></span></span></b></div><div style="line-height: 14.4pt;"><b><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-weight: bold;"></span></span></b></div><h5 style="line-height: 14.4pt; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"><b><i><span style="color: black; font-family: Georgia; font-size: 11px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-style: normal; font-weight: normal;">Writers’ Guild and Script Yorkshire member, Gwyneth Hughes, comes to the Playhouse to talk about the writing of her recent BBC TV drama, Five Days. Gwyneth has written extensively for television. Her recent credits include Cherished and Mysterious Creature, both of which are dramatisations of real-life stories.</span></span></i></b><span style="color: black; font-family: Georgia; font-size: 11px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-style: normal;"></span></span></h5><h5 style="line-height: 14.4pt; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"><b><i><span style="color: black; font-family: Georgia; font-size: 11px;"><span style="color: black; font-family: Georgia; font-size: 12pt;"></span></span></i></b></h5><div style="line-height: 14.4pt;"><strong><b><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-weight: normal;">Date: 10th March</span></span></b></strong><span style="color: black; font-family: Georgia;"><span style="color: black; font-family: Georgia;"></span></span></div><div style="line-height: 14.4pt;"><strong><b><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-weight: normal;">Time: 11.30am – 1.00pm</span></span></b></strong><span style="color: black; font-family: Georgia;"><span style="color: black; font-family: Georgia;"></span></span></div><div style="line-height: 14.4pt;"><strong><b><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-weight: normal;">Venue: West Yorkshire Playhouse, Leeds</span></span></b></strong><span style="color: black; font-family: Georgia;"><span style="color: black; font-family: Georgia;"></span></span></div><h5 style="line-height: 14.4pt; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"><b><i><span style="color: black; font-family: Georgia; font-size: 11px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-style: normal; font-weight: normal;">Cost: Free to WGGB and Script Yorkshire members. Non-members: £4.00. No need to book</span></span></i></b><span style="color: black; font-family: Georgia; font-size: 11px;"><span style="color: black; font-family: Georgia; font-size: 12pt; font-weight: normal;">.</span></span></h5>Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0tag:blogger.com,1999:blog-6634018666899829426.post-30498456654297349342007-03-05T11:10:00.001-08:002011-03-26T11:10:41.193-07:00Writing for Film and Television<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt;">Jim Eldridge is an award-winning scriptwriter with 35 years experience and 260 TV scripts and 260 Radio scripts broadcast all over the world, with 3 of his TV movies having theatrical releases. He has also had 60 books published internationally. He has also been a BAFTA judge 3 times. Twice a year in spring and autumn) Jim runs writing workshops in Bowness on Solway in Cumbria .</span></span></span><br />
<div style="line-height: 14.4pt;"><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt;"></span></span></div><div style="line-height: 14.4pt;"><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt;">Each workshop is limited to 10 people and costs £29 for the day (incl VAT). All aspects of the business are dealt with, not just the art of writing but the business of writing for film, TV, radio and books, including how to break into the business.</span></span></div><div style="line-height: 14.4pt;"><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt;"></span></span></div><div style="line-height: 14.4pt;"><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt;">For full details go to Jim's website at </span></span><span style="color: blue; font-family: Georgia;"><span style="color: blue; font-family: Georgia;"><a href="http://www.jimeldridge.com/" style="color: #2244bb;" target="_blank" title="http://www.jimeldridge.com/">www.jimeldridge.com</a></span></span><span style="color: black; font-family: Georgia;"><span style="color: black; font-family: Georgia;"></span></span></div><div style="line-height: 14.4pt;"><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt;">or contact him at 016973-52246, or by post at: Pear Tree Farm, Bowness on Solway , Cumbria CA7 5AF .</span></span></div>Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0tag:blogger.com,1999:blog-6634018666899829426.post-21156361117484383602007-03-05T11:10:00.000-08:002011-03-26T11:10:23.753-07:00Bradford Film Festival<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"></span><br />
<h3 align="left" style="margin-bottom: 12pt; text-align: left;"><span style="color: black; font-family: Georgia; font-size: 15px;"><span lang="EN-US" style="color: black; font-size: 12pt;">The Bradford film festival will be held from March 9th to 24<sup>th</sup> and covers a wide variety of different aspects of getting your film from conception to distribution with guidance and advice on funding, distribution, post production and working with actors and how they interact with a film crew.<br />
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The festival will also offer the opportunity to attend the networking<br />
event which promises to be a lively and energetic evening, devoted to getting<br />
filmmakers in the region meeting and exchanging ideas.<br />
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For more information log on to <a href="http://www.bradfordfilmfestival.org.uk/" style="color: #2244bb;" target="_blank">www.bradfordfilmfestival.org.uk</a></span></span></h3>Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0tag:blogger.com,1999:blog-6634018666899829426.post-22347404696274081992007-03-05T11:09:00.000-08:002011-03-26T11:10:04.918-07:00Adventures in Fiction<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"></span><br />
<div style="margin-bottom: 3.75pt; margin-left: 0cm; margin-right: 0cm; text-align: justify;"><span style="font-family: Georgia; font-size: 13px;"><span style="font-family: Georgia; font-size: 12pt;">Adventures in Fiction are offering five subsidized placements for first-time novelists of commercial and literary fiction. The placements, which have an individual value of £2.000, will take the form of an apprenticeship with a professional writer working in a similar genre. The five apprentices will be selected from open competition.<b><span style="color: #66a7c8;"><span style="color: #66a7c8; font-weight: bold;"></span></span></b></span></span></div><span style="color: black; font-family: Georgia; font-size: 13px;"><span style="color: black; font-family: Georgia; font-size: 12pt; line-height: 22px;">The deadline is 20th March 2007. Apprenticeships in Fiction aim to encourage diversity, excellence and originality. For further information go to: <u><a href="http://www.adventuresinfiction.co.uk/" style="color: #2244bb;" target="_blank" title="http://www.adventuresinfiction.co.uk/">http://www.adventuresinfiction<wbr></wbr>.co.uk</a></u><br />
Tel: Marion Urch on 020 7354 2598<br />
Email: <a href="mailto:marion@adventuresinfiction.co.uk" style="color: #2244bb;" target="_blank" title="mailto:marion@adventuresinfiction.co.uk"><span style="color: black;" title="mailto:marion@adventuresinfiction.co.uk"><span title="mailto:marion@adventuresinfiction.co.uk"><span style="color: black;">marion@adventuresinfiction.co<wbr></wbr>.uk</span></span></span></a></span></span>Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0tag:blogger.com,1999:blog-6634018666899829426.post-79611096225369628132007-03-04T11:12:00.000-08:002011-03-26T11:12:38.629-07:00Thriller Workshop<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;">Went to another genre day at the scriptfactory last week.<br />
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My favourite moment of the day (ok I exaggerate) was where writers got the chance to workshop a one page outline, should they choose. "Let's break for a cup of tea" said the tutor, "and then we'll look at your problems - I mean PROJECTS."<br />
<br />
Excellent.<br />
<br />
The most disappointing thing about this day was that we didn't learn the Thriller dance, which I've always wanted to do. Waste of time going in wet gel.<br />
<br />
(er, can you smell cheese?)<br />
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Notes to follow.</span>Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0tag:blogger.com,1999:blog-6634018666899829426.post-85802879960501024622007-03-04T10:56:00.000-08:002011-03-26T10:56:20.791-07:00Interesting<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;">Interesting how I used the word "interesting" three times in about the first three lines of that last post. I thought it might be interesting to try and understand the subtext of that.<br />
<br />
After thinking about it in the bath I realised I often use it when someone is saying something I don't quite understand.<br />
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"Oh really? That's interesting!" (meaning "eh?")<br />
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Conclusion: I don't know what half of the notes I got back on the first cut actually <span style="font-weight: bold;">mean</span>.<br />
<br />
<br />
<br />
Too fick innit.</span>Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0tag:blogger.com,1999:blog-6634018666899829426.post-74119049400047507592007-03-03T10:55:00.000-08:002011-03-26T10:55:57.454-07:00First cut<span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;">Had first lot of feedback from execs. They say it is a strong first cut and heading in the right direction. Made some interesting comments such as the pov has changed from the scripted characters pov, to another characters. This was an interesting note, and we did observe that there was one character who seemed to be telling the story from a more interesting angle, and so went with it. Happy to change it back to the original pov, but if it's not as strong when we do we will have to think again. From sitting in on some of the edit of the last feature my boss made, I learnt that sometimes the rushes dictate the film you make, and not the script.<br />
<br />
Got a whole page of other comments. Some I agree with and others I am more than happy to try out. And a few that made me want to deck the wall. Talked to the editor and we agreed that we should go away and think about the comments for a few days, then come back to it and make all our decisions based on what is <span style="font-weight: bold;">best for the film</span>.</span>Mr. Photographerhttp://www.blogger.com/profile/08147881104962296752noreply@blogger.com0